#I need to learn how to articulate my thoughts
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katisbadatnames · 6 months ago
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Something I really like about fleshas design is the high heels
High heels are sharp, the sound they make will cut through any noise and and be super loud in silence. I really like how they used it in the episode.
I cant articulate myself that well but footsteps in the dark when you think you’re alone is pretty scary on its own but the added edge of the heels kinda adds to it? Idfk man this is the second time I’m making this post it got deleted before
And hey now we know why she stumbles so much lmao. Her feet gotta be double broken with the bones and muscles and metal shoved into a heel
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justanotherfanfolks · 1 year ago
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Guys saw this post and it set off the part of my brain where Cater Diamond lives rent free.
@krenenbaker you inspired this.
Gosh, I wanna throw Cater under a microscope.
Like he is such a fascinating character, it's so sad that people just see him as the "social media character." I remember a few months after I got the game I was reading through his vignettes and he was just setting off the gears in my head. Especially his Halloween vignette. I've talked about it before, but it gives us so much insight into Cater. How he doesn't like letting people in and keeps everyone at arms length, even Trey. When Trey was a Starsender, he wouldn't tell him his actual wish. And he was the same before when they got visited by a previous Starsender the year before. Trey knows there's something about him, but he is Trey "But That's None of My Business" Clover so he never pries. He's the closest to Cater, but maybe that's what makes Cater so wary. And how when his mandrake threatened to pull down the curtain, he shoved it back, he changed the subject. We also almost never get Cater by himself. He's always surrounded by people, always performing. And it's hard to tell what he's thinking because he's always brushing stuff aside with a smile on his face. But his Halloween vignette is one where we actually get to see some cracks in that, we actually get a peek into his brain. He's scared of getting too close to people because every time he lets someone in, he has to leave. He clearly cares about the people around him, but he has a track record that prevents him from showing too much of that. And by extension, we as an audience don't get to see too much of who he is behind closed doors. We know he puts on a show, he doesn't like showing when things get to him. When he mentions moving around a lot, he doesn't mention the struggle of it out loud. He says he likes Magicam for the casual connections and how it helps him keep in touch with old faces, but in his vignette when he actually gets messages from one of these faces he doesn't want to engage. In Silver's Halloween vignette he says his life has taught him to live in the moment. But it also taught him to not get comfortable, to keep walls up. He didn’t even tell his dorm something as simple as how he doesn't like sweets for years. Back on Halloween, he watches Diasomnia with something like envy. How they can be there for each other, be close. How they couldn't understand. Not knowing how someone there actually can understand.
Book 7 spoilers mentioned:
I also have a side tangent about him being multifaceted and always blending into what he expects people want. In Book 7, Cater is the only one we see truly struggling with the internships. Like, it is painfully relatable, I feel so called out. We go around the Juniors and see them feeling confident in their plans and here Cater is with his head on a desk feeling more confused and uncertain the more people he talks to. He's spent so much time following what other people want, putting on a show, he doesn't know where to go now. Let's not even mention how this is the moment he knew was coming for the past 3 years: that inevitable goodbye. I feel like Cater could be so interesting for the conflict going on in Diasomnia, but I'm not sure if they'll use him.
Tangent closing: I really like Cater. He's really well written and I don't think he gets enough respect on that front. He gets really good dialogue lines, but he also gets so much more. To me, he's one of the best characters in the game.
I've said it before and I'll say it again, the Cangst is real people.
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phagodyke · 4 months ago
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weekend melancholy is starting to kick in >~<
#im gonna go and do my food shop etc to keep myself busy and hopefully my 2nd meds will kick in and we'll be able to handle it together#i think i kind of do this so regularly bc my brain is just processing everything bc i dont rly have time during the week#all cool tho im doing good overall def on the up n i feel way more capable of coping emotionally which is nice. i <3 meds#also.. possibly settling on the idea that i might be agender. very tentatively. lots of experiences n thoughts coming together rn#ive been reacting in unexpected ways to a lot of gendered shit atm which has made me reconsider the way i think abt myself#but very difficult to articulate it to myself let alone anyone else. so ive been sitting with it for now until it precipitates#gender stuff has never rly affected me much or ive never been in a place to explore it which is why i havent thought abt it super hard#but im not the sort of person who needs a lot of internal exploration to figure out my identity like im v self aware tbh#and while im wildly indecisive abt most things in my life for some reason i never have been abt stuff like this. i learned abt lesbianism#like idk 9 years ago-ish and straight away was like yeah that makes sense for me. never looked back since#n similarly ive experienced forms of gender dysphoria before n just immediately dealt with it symptomatically n moved on#its never been smth to agonise abt for me like i know what makes me comfortable in my skin so theres no question abt doing it#and ik im privileged to be able to do that. and also it helps that gender for me is mostly divorced from external perceptions#+ that im v autistic so social pressures dont stick to me very well. i mean yeah i was bullied for it as a kid but i was stubborn asf#so yeah from the moment i realised i was genuinely uncomfortable/upset abt it earlier this week i was like okay. lets try this instead#its given me pretty instant relief from any distress i was feeling so far which is nice. rare respite from one of my torture labyrinths#just testing out internally whether it frames things more clearly n makes me feel more myself/at peace before i choose to stick w the idea#but not gonna do a whole coming out fanfare either way. dont think i wanna change how ppl interact w me + im still a dyke#so i dont consider it relevant to anyone else unless they share a similar understanding of gender to me. or if we're v close#ill prolly broach it w other trans friends eventually bc insert philosophers talking image. but to everyone else its business as usual#happy to play my cis-sona at work. + w new queer ppl i meet ive been introducing myself recently w mirrored pronouns instead of any/all#and i think i prefer that. virtually indistinguishable but theres smth nice abt inviting ppl to recognise me the way they do themselves#like translating + localising a non-gendered language into a gendered one... simplifying decisions abt how to perceive me#and ofc ppl are still gonna perceive me however but idc much unless we're actually friends. the rest is all a performance anyway#doubtful anyone on here ever has reason to refer to me but if u do for some reason... im freeloading off ur pronouns now btw <3#but yeahhh. much 2 think abt. i need to read more alien/ai sci fi.. non-human sentience has been such a comforting concept lately#but yea tldr i woke up one morning this week like damn im prolly agender but i have a full time job to go to rn so idc abt that#.diaries#okkkk my dex is kicking in im no longer on the verge of tears lets go get these groceries wooohoooo
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starpros-sunshine · 11 months ago
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My knowledge on culturally significant media is like. The only thing I have going for myself who am I if not the guy that knows fun little references about things...
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mosspapi · 3 days ago
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My problem with university is pretty much everything except the learning actually. I'm not cut out for this shit
#it's so ableist it's not even funny and the stress is. unreal.#I'm technically in third year but I'm still doing first/second year courses bcuz I have a reduced course load accommodation-#-and it's still unmanageable for me#I'm in a painting studio this semester and the problem is I'm really enjoying learning abt the different mediums and techniques and how to-#-apply different light sources and textures and whatnot. but it's absolutely KILLING my joy for painting.#there is no room for artistic liberties or expression or anything. the prof keeps stressing that this is a Competitive course and you ARE-#-being pitted against ur fellow students. it's not abt learning and improving anymore it's abt finding ways to put everyone else down#idk. I have a lot of thoughts and feelings and opinions abt the institution of University as a whole but idk how to articulate it properly#like. I could b here for hours talking abt the colonial nature of Dedicated Spaces for Certain People to learn things and Get An Advantage#or the capitalism aspect of needing to spend $102948398474 on tuition just to get a mini wage job.#I'm fundamentally opposed to the concept of university at its core. and it sucks bcuz I was rlly looking forward to it#it's the first time I've had independence. freedom. anything. but I can't enjoy it bcuz it's not For Me. yk?#idk. like I said I have a lot of thoughts but I can't express them properly#armchair speaks#well maybe not As A Concept entirely. I think the idea is really cool but the way it's done and the history behind it is just. idk
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crossbackpoke-check · 3 months ago
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Fixed point (mathematics) // The History of Perspective // "Point of Disappearance", Dennis Held // How the Hughes hockey family stays grounded // Fixed Point Photography-- // "Portrait of A.", Tung-Hui Hu // Mic'd Up | Hughes NHL 25 cover shoot // "Burnt Norton", T.S. Eliot // "Circuitry", Janine Joseph // Bruce Bennett // Nick Wass // from obedience [maybe one day, during a point in time], kari edwards // Bill Rapai // "Errand Upon Which We Came", Stephanie Strickland // Benchmark (surveying)
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art kid luke hughes
#joy i feel like i should’ve known it would be you wrecking my shit by saying this ->#no one tell me what it’s about i want to think about jack as a fixed point forever#like. please. please. why would you. & also why are these like miyazaki/indie coming of age documentary closed captions u know what i mean#anyway in a moment of brief insanity i thought about the devil!nico snapping his fingers to make jack first overall wherever he wanted#and the concept of things that would always have happened it’s just a matter of how you get there#no matter where your eye starts it always ends there no matter where your threads weave in the web of fate all the knots end up tied. fixed#(nolan going to vegas) it’s just the path you took to get there was a little different is all.#hi. it's me. five+ hours later. remember the brief aforementioned moment of insanity#yeah so we lost it in a completely different directions sorry?#if i had a nickel for every time i entered a hughes brothers induced narrative webweaving fugue state i'd have two nickels#which isn't a lot but relative to the amount i think about them kinda is and also it's weird it happened twice#also i'm not apologizing for hearing “art kid” with fixed point (one perspective? my googling of art terminology did not yield results.#luke baby girl i think you've got the wrong term.) and immediately jumping to science (math and ecosystem management) because. that's art#luke hughes#jack hughes#quinn hughes#vancouver canucks#new jersey devils#my cat would very much like for me to go to bed and snuggle however. i was possessed. (AND i just learned how to do small text)#so now all of you get to have worms for brain at 12:30AM too ok ily good night!!!!!#i lied actually i need to tell you guys things because number one EYE have no idea where this came from number two the things i do know#i have no idea if the red string meme it's all coming together points make any sense to anyone but me. SO FIRST#function defined by itself (43 superscript added by me) it's luke defining fixed point. he's cited.#perspective used to stage narratives!!! the history of perspective in art is honestly so interesting and i think actually this started#because i was trying to find a definition for fixed point in art and couldn't get one but found the article talking about#how historically perspective is used for geometric and architecture in paintings to add reality i.e. vermeer's squares#because our brains are SO hardwired to believe perspective “the illusion of geometric regularity and spatial recession... is nearly impossi#liv in the replies#said more but tumblr ate it bc it was too many tags & now we're on hour six i am not rewriting just know it was good. past/present/future l#it was not well articulated & i wanted to do perspective lines & also it could be better collaged but if it looks bad.. that's a u problem.
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angorwhosebabyisthis · 10 months ago
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things i am noticing make me Groan and immediately put in the 'i'll do that later' bin, which inevitably ends up killing my momentum in the other areas of a game i'm designing: adjusting scales/tables for 'alright we're going to want lower chances of getting this one.'
like when you're using this tool you're probably going to adjust the table so you're not getting 20-sentence prompts left and right at the same rate as 1-5, 6-10, etc prompts. most likely, and probably the quickest method (i'm aware of) for making things go smoothly in play, you're just going to assign fewer numbers on that scale/table that'll give you 20-sentence prompts. rolling 12 on a d12, for example, instead of 10-12.
the thing is that once you do this you're also going to have to adjust the other ranges on the table, and decide which options get a higher or lower chance. and on top of that, you might decide you want to introduce another outlier result that you can only get by rolling a 1. you're having to make some decisions here about the focus and rhythm of your game (or tool), and you have to get into the individual nitty-gritty of every number on the table at once, not just individually but in tandem with each other.
for some reason my brain Super Does Not Eyeball This Kind of Thing Well. it legit gives me a headache to think about while other mechanics are already fighting for Get It All Down Quick, Make It Work Coherently Before It Congeals into a Lump and You Forget It real estate. i know that's a sign of something to leave alone and then come back to work on later, but the uggghhhhh is so strong that it ends up just putting me off of even that.
i think at this point i might just deadass premake a bunch of tables for this kind of thing, with notes about what kind of vibe a particular balance of ranges will evoke, and then copypaste them in to mark with my usual 'not sure about this bit yet, come back to it later' notation and move on. in some cases it's a lot easier to do that instead of being taunted with a Blatantly Missing Hole in the Game while i'm trying to build around it.
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abyssbirds · 1 year ago
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Ivam feeling so many negative emotions at once and the fact that I soon won't be able to afford a therapist after only like. 4 sessions. Just makes it all worse
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goldfades · 1 month ago
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SCREAM QUEENS──NICHOLAS CHAVEZ
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free palestine carrd 🇵🇸 decolonize palestine site 🇵🇸 how you can help palestine it's crucial that we stand in solidarity with those who need our support. right now, the people of palestine are facing unimaginable hardship, and it's up to all of us to do what we can to help. whether it's raising awareness, donating to relief organizations, or supporting calls for justice and peace, every action counts. we can amplify their voices, shed light on their struggles, and work towards a future where every individual can live with dignity and freedom. your support can make a difference! FREE PALESTINE!
for this request!
─ summary | after filming Scream with cooper and nicholas, you and nicholas develop a slow-burn romance filled with subtle tension.
─ pairing | nicholas chavez x fem!actress!reader, platonic!cooper koch x fem!actress!reader
─ warnings | sooo sweet and soft!! literally nothing except fluff and a few kisses at the end.
ok love u bye!!! pls send me requests!!!!!!
⇨ missing out on updates? check out my masterlist!
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The red carpet glistens under the flashing lights of countless cameras, and the hum of excited voices fills the air like an electric current. The Scream premiere is your first big debut in a film of this scale, and it feels like you're stepping into another world. Your breath catches slightly as you look up at the towering poster of your character, Sydney, splashed across the theater behind you. It’s surreal.
You smooth your dress—a deep, rich burgundy that makes you feel powerful, but in a quiet way, like you're not here to scream but to be heard when it matters. A few feet away, Nicholas stands in his sleek suit, posture rigid yet calm, looking every bit like he belongs. Stoic, as always. But there’s something in the way his eyes shift toward you when he thinks no one’s watching—a softness, a quiet admiration hidden behind his mask of indifference.
Next to him, Cooper is an absolute ball of energy, talking animatedly with an interviewer, his hands gesturing wildly as he laughs, completely unrecognizable from the unnerving, cold-blooded Stu he portrayed in the movie. His warmth is contagious, and you can’t help but smile, even though you’re more used to blending into the background at events like these. Still, this is your night too.
The interviewer finally reaches you, and your stomach flutters—not from nerves, but from the anticipation of sharing this moment. "How does it feel to be a part of such an iconic horror franchise?" they ask, their microphone hovering in front of you.
You glance at Nicholas briefly, his lips curling into the tiniest of smiles as if he’s silently encouraging you to take the lead. The smallest gesture, but you catch it. You always do. You gather your thoughts, tucking a strand of hair behind your ear before leaning in.
"It’s… unreal," you start softly, your voice measured. "Scream changed the game, and being a part of that—it's hard to describe. It’s like stepping into a legacy, but also bringing something new."
You pause for a second, letting the weight of your words settle, and then continue. “It’s not just about stepping into Sydney’s shoes—it’s about understanding her fear, her resilience. Horror is… more than just jumpscares. It’s psychological, it’s emotional. It’s about survival, and I think that’s what makes Scream different.”
As you speak, you feel the lights and the noise around you blur into the background. Your focus is on the moment, on articulating what’s been buzzing in your mind ever since you landed the role. Sydney was never just a scream queen—she was a fighter, an anchor in the madness, and playing her was like learning how to channel that same strength in yourself.
The interviewer nods, visibly impressed, and moves on to Nicholas. You shift slightly, glancing at him as he takes a steady breath. His expression is the perfect picture of composure, but you can tell from the slight twitch of his fingers that he’s thoughtful about what to say.
“Well, Billy’s not exactly the hero,” Nicholas begins, a small chuckle escaping his lips, eyes narrowing with that subtle sharpness that made him perfect for the role. “But I think what’s interesting about him—and about the film as a whole—is the way it plays with the audience’s expectations. Horror has always been about tension, about twisting what you think you know. Scream does that, but on a deeper level. Billy’s... manipulative, sure, but there’s a layer of humanity there, buried under all that chaos. And that’s what makes him so terrifying. You don’t just hate him—you understand him.”
He doesn’t say much, but his words settle like a weight in the air, his voice low and reflective. You’ve always admired that about him, the way he can strip away all the noise and say something that matters, something you’ll still be thinking about long after the conversation ends.
And then, of course, there’s Cooper.
The moment Nicholas finishes, Cooper bounds into the spotlight, his energy bright and overwhelming, making everyone laugh before he’s even answered the question. “Oh man, playing Stu was wild,” he says, shaking his head with a grin that’s far too friendly for someone who spent the entire movie butchering people. “I had to turn off my brain to even think like him. I’m pretty much the opposite in real life, so going to that dark place took some effort.”
He laughs again, carefree, but you’ve seen it—the way he can flip a switch when the cameras roll. One moment, he’s this ball of sunshine, cracking jokes and keeping the mood light, and the next, his eyes go cold, his smile sinister. It’s what made his portrayal of Stu so chilling, so disturbingly real.
“But honestly, I think the best part was working with these two,” Cooper continues, throwing an arm around both you and Nicholas in one smooth motion. “We were like family on set. Every scene, every rehearsal, we got closer. There’s this... chemistry we developed that I think really translates on screen.”
You feel a flush of warmth at his words. Cooper’s enthusiasm has always been infectious, and you can’t help but nod in agreement, even if you’re not as loud about it as he is. The connection between the three of you—Nicholas, Cooper, and you—had been undeniable, a sort of unspoken understanding that had only grown stronger as filming went on.
The interviewer seizes on that. “It sounds like you all bonded a lot on set. Can you talk more about your dynamic? What was it like working together?”
You’re about to respond, but Cooper jumps in first, unable to help himself. “Oh, totally! It was a blast. I mean, there were some intense scenes, obviously—especially for Nick and her,” he says, nodding at you. “But between takes? We’d be laughing, hanging out, keeping it light. It’s the only way to survive a horror film without going crazy yourself, right?”
Nicholas smirks, leaning into the moment with his usual understated charm. “Yeah, Cooper’s energy definitely kept things interesting.” There’s that subtle warmth again in his tone, a softness in the way he talks about you both. “I think we balanced each other out in a lot of ways. You”—he nods toward you again—"you brought this quiet focus, and I think it rubbed off on me. It’s easy to get lost in a role like Billy, but watching you... I learned how to ground myself.”
The compliment, though wrapped in his usual casual delivery, sends a faint flush up your neck. Nicholas had never been one for big declarations, but when he did speak, it was always with meaning, as if he had chosen each word carefully, deliberately.
You find your voice again, wanting to contribute before the moment passes. “I think we each brought something different to the table,” you add softly, your gaze flicking between them. “Cooper has this incredible energy that keeps everything light, but he can flip a switch when it’s time to get serious. And Nicholas...” You pause, considering. “He’s... steady. There’s this calmness about him that keeps you anchored, even when the scenes get intense. It’s hard to explain, but it made working with him feel... safe.”
Your words hang in the air for a moment, and there’s a flicker of something in Nicholas’s eyes—a glimmer of appreciation, though it’s fleeting, quickly hidden behind his usual cool demeanor. But you catch it. You always do.
The interviewer, sensing the dynamic between the three of you, smiles warmly. “It sounds like you all formed a pretty tight-knit group. That’s rare in an industry like this.”
Cooper nods enthusiastically. “Oh, for sure. We’re stuck with each other now,” he jokes, but the sincerity behind his words is unmistakable. “I mean, how could we not? We’ve been through the trenches together.”
You smile, unable to suppress the warmth that floods through you. He’s right. Despite the long nights, the emotionally draining scenes, and the weight of stepping into such iconic roles, the bond you’ve formed with these two has been something special—something real.
As the interview wraps up, you take a step back, letting Cooper and Nicholas finish with their final thoughts. The night isn’t over yet—the premiere still looms ahead, and there are more cameras, more questions waiting. But for a moment, in the midst of the chaos, you feel a deep sense of gratitude. For the film, for this experience, but mostly for them.
For the way Nicholas’s steady presence has become a quiet comfort, his admiration for you evident in the smallest of gestures. For the way Cooper’s energy has pulled you out of your shell, making you laugh, making the hard days bearable.
And as you glance at them both, standing under the glow of the premiere lights, you can’t help but feel like something has shifted. Something subtle, yet undeniable.
───
“—that is not what happened, and you know it.” Cooper sighed dramatically as he glanced your direction, a mock upset settled on his face as you bite your lip, stifling a laugh. Nicholas watches the two of you, amusement clear in his expression.
You settle into the couch as you shrug, letting a small laugh escape your lips. "Okay, fine," you say, holding up your hands in mock surrender, still grinning. "Maybe I don't remember it exactly the way you do, but come on, Cooper, you were the one who started it."
Cooper gasps, clutching his chest dramatically like he’s been mortally wounded. "I started it? Oh no, no. Let’s be real here. You and Nicholas were the ones conspiring against me from day one!"
Nicholas raises an eyebrow, a quiet smirk tugging at the corner of his lips. “Conspiring? That’s a bit dramatic, Coop.”
The host of the podcast, a friendly guy with a genuine smile, watches all of this unfold with a look of amusement, clearly enjoying the easy chemistry between the three of you. “So wait, wait. What exactly did happen on set? I need to know who’s telling the truth here.”
You lean back into the couch, crossing your arms playfully as you glance between Cooper and Nicholas. "Oh, this is good," you say, your eyes lighting up with the memory. "You tell him, Nick. I think you’ve got the best perspective here."
Nicholas, always the picture of calm, shakes his head slightly, clearly entertained by the chaos unfolding between you and Cooper. "Alright," he says, his voice steady but with a hint of amusement. "Here’s the real story. Cooper, as usual, was trying to lighten the mood between takes. It was one of those intense scenes—you know, where Billy and Stu are supposed to be... doing their thing."
Cooper jumps in, unable to help himself. "You mean brutally stabbing people?"
Nicholas just gives him a look, unfazed. “Yes. That. Anyway, Cooper decided to improvise a little—”
“A little?” you interject with a laugh. “He completely threw the script out the window!”
Cooper grins, not remotely ashamed. "Hey, I was trying to make everyone laugh! It was a tense day, okay? I thought Billy needed to lighten up. Maybe do a TikTok dance between stabs. You know, just to mix things up."
Nicholas rolls his eyes good-naturedly, the smallest chuckle escaping him. “Needless to say, it didn’t go over well with the director.”
“Or anyone else on set,” you add, giggling at the memory of Cooper’s ridiculous, over-the-top dance moves while still in full Stu costume.
Cooper holds his hands up defensively. “Alright, fine. It was a bold choice. But you two were laughing! Don’t try to deny it. I saw you both.”
Nicholas’s expression softens, and he nods. “I’ll give you that. You definitely broke the tension.”
The host laughs, clearly enjoying the banter. “It sounds like you guys had a lot of fun on set, despite the heavy material. How do you balance that, being in such a dark, intense movie but still having this kind of dynamic off-screen?”
You exchange a look with Nicholas and Cooper, your smile softening a bit as you think back on the experience. "I think it’s because we had to," you say thoughtfully. “When you’re dealing with a film like Scream—where you’re surrounded by horror and violence every day—it’s easy to let that weight stick with you. So we found ways to break it up, to remind ourselves that we’re just playing characters, that we don’t have to carry that darkness with us.”
Cooper nods along, his usual high energy subdued for a moment as he listens to you speak. “Yeah, exactly. And it helps when you’re working with people you trust, you know? Like, we got along so well from the beginning, so it made everything easier. Even on the tough days, I knew I could look at you guys and just... snap out of it.”
Nicholas glances at you, his expression a little more serious now. “There’s a lot of trust involved, especially with a film like this. You have to trust that the people around you are going to be there, not just as actors, but as friends. And we built that over time.”
You smile at him, grateful for the sincerity in his words. He may be quiet, but when he speaks, it always feels intentional, like there’s weight behind everything he says. And in moments like this, you’re reminded of just how much you appreciate that about him.
The host shifts in his seat, leaning forward. “That’s great to hear. It really shows on screen—the chemistry, the dynamic between you three. So, what’s next? I mean, after Scream, where do you go from here?”
Cooper jumps in again, back to his usual lively self. “Well, I think we should all do a rom-com next, right? Something light, something fluffy. Get away from all the blood and guts.”
You laugh, the idea of the three of you in a rom-com so absurd it’s actually kind of appealing. “Oh yeah, I can totally see Nicholas as the romantic lead.”
Nicholas raises an eyebrow, looking completely unfazed by the suggestion. “I don’t know about that. I think I’ll stick to horror.”
“Stoic, mysterious guy,” Cooper teases, leaning forward dramatically, pretending to narrate. “He’s hiding a dark secret, but deep down, he’s just a big softie.”
You and the host burst out laughing, and even Nicholas can’t help but crack a smile. “Alright, alright,” he concedes. “Maybe one rom-com.”
The host grins, looking between the three of you. “I would definitely pay to see that.”
The interview wraps up soon after, the room filled with easy laughter and lingering energy as you stand from the couch. You, Nicholas, and Cooper thank the host, chatting amongst yourselves as the podcast crew wraps up.
As you head toward the door, Cooper slings an arm around your shoulder, pulling you close. "Next time, we do the rom-com," he says with a wink. “We can be the love interests and... Nick can just be there. I’ll start writing the script tonight.”
Nicholas falls into step beside you, his hands in his pockets, watching the two of you with that familiar glint of amusement in his eyes. “I’ll leave that to you, Cooper.”
You smile, shaking your head. “I can’t wait to see what you come up with.”
After the interview wraps up and the bright lights of the studio fade behind you, the three of you pile into Cooper’s car. He’s talking a mile a minute, still buzzing from the podcast, hands waving animatedly as he drives.
“Man, that was fun. Did you hear how the host lost it when we started talking about the rom-com? I think we should seriously pitch that,” he jokes, throwing you a wink in the rearview mirror.
You laugh, leaning against the window in the back seat, the city passing by in a blur of neon and headlights. “You’re never going to let this rom-com thing go, are you?”
“Absolutely not,” Cooper replies, grinning. “We’d crush it. But first…” He slows the car as you approach Nicholas’s place. “How about we just hang out for a bit? Relax, watch a movie or something.”
You glance at Nicholas, who’s sitting quietly in the passenger seat, his eyes focused on the road ahead. He nods slightly, a small smile playing at his lips. “Yeah, that sounds good. It’s been a long day.”
Cooper pulls up to the curb, parking in front of Nick’s apartment. “Alright, I’ll grab the snacks, you two go ahead. I’ll catch up in a sec.”
You and Nicholas exchange a look as you step out of the car, the cool evening air brushing against your skin. There’s a comfortable silence between you as you walk up to his place, the quiet hum of the city surrounding you.
Inside, the atmosphere feels different—quieter, more intimate than the usual chaos of set or interviews. Nicholas’s apartment is minimalistic but warm, with soft lighting and a collection of books and records scattered about, telling more about his quiet, thoughtful nature than he’d ever openly admit.
You slip off your shoes at the door, glancing around as Nicholas sets down his keys and heads to the kitchen. “Want something to drink?” he asks, his voice casual but soft, like it always is when it’s just the two of you.
“Water’s fine,” you reply, following him to the kitchen, leaning against the counter as he pours a glass. There's something unspoken hanging between you, an undercurrent of energy that’s been building for a while now—something neither of you has acknowledged out loud, but it lingers, making your every interaction feel just a little more charged than it used to be.
Nicholas hands you the glass, his fingers brushing against yours for the briefest moment. You feel the jolt of electricity, the way your skin warms under his touch, and you quickly look away, pretending not to notice the way your heart beats a little faster.
He leans against the counter beside you, his shoulder just inches from yours, close enough that you can feel the warmth radiating from him. “Today was fun,” he says quietly, his voice low in the soft glow of the kitchen.
“Yeah,” you agree, looking up at him, your gaze catching his for a second too long. “It was. It always is when we’re all together.”
He doesn’t say anything for a moment, just holds your gaze with those steady eyes of his, and you can feel the tension growing, thickening the air between you. It’s not uncomfortable—it’s the kind of tension that makes your skin buzz, that fills the quiet with unspoken words, words you’ve both been too careful to say.
The front door swings open, breaking the moment as Cooper strolls in with a bag of snacks. “I’m back! Got the goods!” he calls, completely unaware of the quiet, charged moment he’s just interrupted.
You and Nicholas both turn away, the spell broken, but that energy doesn’t dissipate. It lingers, hanging in the air as Cooper throws himself onto the couch, oblivious as ever. “Alright, what are we watching?” he asks, rummaging through the bag. “Something funny, I hope. Or... maybe Scream?” He shoots you both a mischievous grin.
Nicholas chuckles softly and shakes his head. “I think we’ve had enough Scream for one day.”
“Agreed,” you say, settling onto the couch next to Cooper, grateful for the distraction but still hyper-aware of Nicholas as he joins you, sitting a little closer than usual on your other side.
You all end up picking a lighthearted comedy, something easy to watch without much thought, but your mind isn’t fully on the movie. The whole time, you can feel Nicholas beside you, his presence magnetic, pulling at you without even trying. Every now and then, your knee brushes his, and even the smallest touch sends a ripple of awareness through you, as if your body is attuned to his in a way you can’t quite explain.
Cooper, true to form, falls asleep halfway through the movie, his head dropping back against the cushions as soft snores escape him. You and Nicholas exchange a glance, both trying to stifle a laugh.
“I don’t know how he does it,” Nicholas murmurs, his voice low in the darkened room. “He was the one who wanted to hang out, and he’s the first one out.”
You smile, your heart skipping a beat at how close his voice sounds, the intimacy of the moment amplified by the quiet. “He always does this.”
Nicholas leans back, his arm stretching casually along the back of the couch, his fingers brushing against your shoulder. The touch is light, barely there, but it’s enough to send a shiver down your spine. You feel the tension building again, heavier this time, as if the universe is pushing the two of you closer, daring you to acknowledge what’s been simmering between you for months.
You steal a glance at him out of the corner of your eye, and he’s already looking at you, his expression softer, more open than usual. There’s something in his gaze, something unguarded, like he’s letting you see just how much he cares. The realization makes your breath catch.
“Hey,” he says quietly, his voice barely above a whisper now. “You okay?”
You nod, but your heart is racing, and you’re not sure if it’s the quiet or the closeness, or the fact that, for once, it feels like the unspoken tension between you might finally break.
“I’m good,” you say softly, your voice catching a little, and you feel his eyes on you, searching.
For a moment, the world outside the apartment doesn’t exist. There’s just you and Nicholas, the space between you shrinking with every second, and it feels like you’re both standing at the edge of something, something that could change everything.
Nicholas doesn’t break eye contact, and neither do you. The air in the room feels thick, almost electric, as if the space between you is charged with something both of you have been too careful to admit. His arm rests casually on the back of the couch, but his fingers twitch slightly, brushing the barest edge of your shoulder. The touch is subtle, but it’s enough to send a ripple through you—a pulse of heat that spreads from where his skin meets yours.
You swallow, trying to keep your breathing steady, but you can’t ignore the way your heart races, thudding in your chest like it’s trying to communicate something your mind hasn’t fully processed yet.
Neither of you says a word, and yet, everything is being said in the silence between you. There’s a pull, an invisible string tugging you closer, and for the first time, it feels like maybe—just maybe—it wouldn’t be so impossible to cross that line.
Nicholas shifts slightly, turning his body more toward you, and you realize just how close you are now. His leg brushes yours again, this time lingering. His eyes are darker in the low light of the room, his usual calm and controlled demeanor giving way to something more vulnerable, something he’s usually so good at hiding.
“Are you sure?” he asks, his voice barely above a whisper, but it carries weight, like he’s asking more than just about how you’re feeling in this moment. He’s asking if you’re ready, if you’re willing to let whatever this is between you two finally come to the surface.
You nod, your mouth dry, unable to trust your voice to respond. Your heart is pounding, and you’re acutely aware of every inch of space between your bodies—or lack thereof.
His hand moves from the back of the couch, sliding down slowly, deliberately, until his fingers are resting on your shoulder, gentle but firm, as if testing the waters. You don’t pull away. In fact, you lean in just a fraction, closing the distance, and you see the shift in his expression—his guarded facade softening as his breath hitches slightly.
It’s so quiet in the room now, save for the soft, steady sound of your breathing and the distant hum of the city outside. You can feel the tension building, thick and palpable, wrapping around the two of you like a thread that’s been pulled tight, ready to snap at any second.
He tilts his head, just the slightest bit, his gaze flicking down to your lips for a moment before meeting your eyes again. It’s a small, almost imperceptible movement, but it feels like the ground beneath you is shifting.
You lean in, your breath catching in your throat, and for a second, everything else falls away—the interview, the movie, even Cooper snoring softly on the other side of the couch. It’s just you and Nicholas, and the space between you feels like it’s vanishing.
His hand moves to the back of your neck, his touch impossibly gentle, and you feel your breath falter as your heart skips a beat. He’s so close now that you can see the way his pupils have dilated, the soft rise and fall of his chest matching your own.
“Tell me if you want me to stop,” he murmurs, his voice low and rough with something unspoken, something fragile but undeniable.
You shake your head, barely able to manage the words, “Don’t stop.”
And with that, the tension that’s been simmering between you for months finally breaks. He closes the distance, his lips brushing against yours softly at first, tentative, as if he’s still giving you the chance to pull away. But you don’t. You lean into the kiss, your hand coming up to rest against his chest, feeling the steady thrum of his heartbeat beneath your palm.
The kiss deepens, slow and deliberate, like he’s savoring every second of it. His lips are warm and soft, and you can feel the unspoken words behind the way he holds you, the way his hand slips to the nape of your neck, pulling you in closer. There’s a gentleness to the kiss, but also a hunger—a need that’s been simmering beneath the surface for far too long.
Your fingers curl into his shirt, pulling him closer as the kiss grows more urgent, more intense. The world around you falls away entirely, and all that matters is the way his lips move against yours, the way his hands grip your waist like he’s afraid to let go.
When you finally pull apart, your foreheads rest against each other, both of you breathing heavily, the room around you still thick with the weight of what just happened. You don’t say anything at first—there’s no need to. The look in his eyes says everything.
“I’ve wanted to do that for a while,” Nicholas finally admits, his voice barely above a whisper, his thumb brushing lightly against your cheek.
You let out a soft, breathless laugh, your heart still racing. “Me too.”
There’s a moment of quiet between you again, but this time, it feels different—less tense, more comfortable, like something has finally clicked into place. Nicholas watches you with that same look of admiration, the one you’ve caught glimpses of before but never fully allowed yourself to acknowledge. Now, it’s out in the open, undeniable.
Slowly, he leans in again. The kiss is slow, unhurried and easy. He hums at the taste of your lips, your hands reached up for his shoulders as you deepen the kiss. You both part after a moment, opening your eyes to meet his darkened eyes.
“Knew it.” Cooper rings out, his voice groggy and tired.
You both snap your heads toward Cooper, your bodies still close, as if you’re caught in the middle of a secret you thought no one else knew. He’s sitting up, rubbing his eyes lazily, a mischievous smirk spreading across his face as he watches you.
“Fucking knew it,” he repeats, his voice groggy but teasing, clearly amused by the moment he’s woken up to. His eyes narrow slightly, a knowing glint in them as he looks between you and Nicholas. “You two think you’re so slick, huh?”
You feel a flush creep up your neck, the heat of embarrassment mixing with the adrenaline still pulsing through you from the kiss. Nicholas tenses beside you, his jaw tightening for a split second before he exhales, leaning back slightly but keeping an arm casually draped around you.
“Cooper…” Nicholas begins, his voice steady but with a hint of exasperation.
“What? I’m just saying,” Cooper continues, throwing up his hands defensively, but the grin never leaves his face. “It’s about time. Thought I was gonna have to give you two a nudge.”
You roll your eyes, but you can’t help the small smile that tugs at your lips. Cooper, being Cooper, doesn’t seem fazed by anything, and it’s almost a relief that he’s not taking this too seriously. You can feel the tension easing out of Nicholas, too, his posture relaxing as he shakes his head.
“Were you even asleep?” you ask, raising an eyebrow at Cooper, trying to divert the attention away from the blush still lingering on your cheeks.
Cooper snickers, leaning back into the couch like he’s settling in for a good story. “Oh, I was out. But I guess I woke up just in time for the good part.”
Nicholas groans lightly, rubbing a hand over his face, but there’s a small, amused smile playing on his lips. He glances at you, a soft look in his eyes, and even with Cooper’s teasing, you can still feel that unspoken connection between the two of you—stronger now, undeniable.
“Well, now that you're awake,” Nicholas says, standing up and stretching, his hand lingering on your back for a moment before he lets go, “you wanna order food?”
Cooper grins, sitting up straighter. “Oh, I see. Change the subject. Nice try, man. But yeah, I could eat.”
You laugh, standing up as well, the warmth of Nicholas’s earlier touch still lingering on your skin. Despite Cooper’s teasing, there’s a lightness in the room now, like something that had been building for so long has finally settled. The moment between you and Nicholas wasn’t lost—it’s just the beginning.
As you walk to the kitchen with Nicholas, Cooper still muttering something under his breath about “finally,” you exchange a quick, knowing glance with Nicholas, and the spark that lit up between you earlier remains. There’s no rush. Whatever this is, it’s yours, and it’s just getting started.
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ifwebefriends · 7 months ago
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My thoughts during “The Sign” [SPOILERS!!!!!]
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ID in ALT
More thoughts under the cut
So I think most of us can agree that this is the best episode of Bluey so far. It was so emotional and satisfying in ways that are kinda new for Bluey. It answered so many questions while giving us a few new ones. I’ve been waiting for this episode for months and it did not disappoint in any way.
This is just a Chekov’s firing squad of an episode. As in a lot of stuff that was set up in earlier episodes all pay off in this episode. I kinda understand why people love soap operas now lol. I will say that this episode was a tad overwhelming for me in the best way possible. As in I had to pause and rewind every 30 seconds or so so I could emotionally process what was happening before moving forward (but that’s a me thing). There was just so much going on and I’m happy about that.
Now onto individual thoughts about specific things:
The callback to Baby Race (“you took your first steps in that house!”) really got to me because Baby Race was the first episode of Bluey that I watched and it immediately made me fall in love with it so it just got to me.
When Chilli said “Frisky and I came up here as teenagers to…um…think,” my mind started racing immediately with “what the FUCK happened at the Lookout?” “Who hurt Frisky and/or Chilli?” And I’m just so curious about what made Chilli say that line like that but we’ll probably never know what happened.
So yeah that scene at the end when the music was playing and Bandit ripped the sign out of the ground and Chilli tackled him to the ground ABSOLUTELY CHANGED my brain chemistry y’all. I can’t articulate my feelings any more than that.
I know some people were upset that Brandy ended up getting pregnant but I thought it was great for her! I’m happy for her! And I think that even though she got what she wanted in the end doesn’t negate the feelings she had about her infertility earlier. But I think we’re all wondering who the father is and I don’t know if the show really needs to answer that.
The whole message of “we’ll see” in terms of if something is good or bad is such a mature message that I never really thought of like that so I will be taking that philosophy forward in life. Congratulations Bluey, you managed to teach a 22-year-old childless person something new and insightful about life that I don’t think I’ve learned from another show.
I want to know more about what Bob was going through and feeling and why he went to India, but again, we’ll probably never know.
I just love how the wedding photos were beautiful but imperfect. Like of course we’re not perfect and nothing will ever be perfect but it’s beautiful and worth remembering anyway.
So many little jokes and moments were so funny in a mature way (I.e. “are we allowed to do that?” And Nana thinking there was about to be a baby announcement) were just so funny and memorable.
I think some people would say it’s a cop-out to end up not selling the house after building it up for 2 episodes but I don’t know, I think it works. I think Bluey and Bingo learned a valuable lesson and Bandit (and Chilli kinda) learned it’s not always about making their kids lives “perfect” in their eyes. Also I’m just personally glad they didn’t end up selling the house and I also kinda like that it wasn’t entirely their choice to keep it.
On a more serious note I think this episode has some interesting commentary on like gender roles and gender relations in straight relationships. In this episode Chilli and Frisky (both women) have to deal with their male significant others pressuring them to move with them far away from what they know and love. In the end they don’t end up moving and the men didn’t seem to have like malicious or selfish intent with it, they were just kinda basing their choices off their jobs instead of what’s best emotionally for their loved ones. But I think it’s interesting to have this conflict where gender is kinda brought up in a way (“because your husband is making you”). It kinda plays into the traditional idea of like men are the breadwinners and the family has to move with them regardless of what they actually want. And this episode kinda like deconstructs that and says “no, it’s not always about the job or money, it’s also sometimes about connections and emotional attachment.” And I’m not saying that you should never move or whatever, but really weigh your options. I just thought that it was interesting that this episode kinda touched on that.
So yeah that’s kinda the main thoughts I had on this episode if you made it this far thank you for reading my rambles and have a good one!
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pawberri · 6 months ago
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The key problem with "proship vs anti" discourse is that the most extreme versions of each side, the ones who actually bother to identify with these labels, accepted each others worst takes as arguments they had to debate. "Fiction =/= reality" is, in practice, an absurdly reductionist, anti-intellectual, thought-terminating-cliche that dictates we can learn nothing about a person via art and that their fiction reflects no political or moral messaging worthy of critique. In response to this, the "puriteens" who are too young to possibly hope to articulate their discomfort, to untangle their position from what is often real trauma experienced online, simply argue "yes, fiction influences and reflects reality in a 1 to 1 capacity." They, and people who want to use the groundwork they laid to make bad-faith callouts, make bad arguments about how the action of engaging in problematic fiction is on equal ground to real life abuse, or is a clear indicator of interest in real life abuse. Both of these arguments are terrible, but each side seems to radicalize the other further and further into their own brands of anti-intellectual reactionary belief. "Proshippers" become libertarian absolutists about free speech and view all transgression as righteous and alternative and therefore leftist. They gain a reactionary nostalgia for the past, desiring a time when people didn't seem to care about the implications of art. "Antis" become authoritarian and hypervigilant for signs of moral decay, at their worst, willing to align themselves with government bodies that offer carceral solutions to the debate. They are willing to use harassment as a tool of punishment, which then leads to false accusations and a fear of openness that puts people at risk of being triggered via obfuscation. (That said, proshippers also take part in plenty of harassment.)
I will say that I believe both of these movements are equally sensitive to co-opting by right-wing forces. We see the authoritarian tendencies of anti culture in harassment campaigns and even the way Republican law makers co-opt "grooming." The proship/fic crowd has such extreme nostalgia for the past that I often see people align themselves with the cultures of 4chan or other happily right-wing websites. They so heavily reject the idea that a drawn sexual depiction of a child could reflect any desire that they are disinterested in analyzing what the motivation behind the depiction is. i.e If we track the history of lolicon in Japan we do find that is, yes, countercultural, but that counter culture is right wing, very misogynistic, and defensive of patriarchial Japanese culture as it is and was including its culture around rape and abuse. Plenty of fictional content works as radicalization material, and radicalization material needs to be ambiguous. There is a valid reason to be hesitant to trust people who consume this content, even if I do not believe most of them will ever be dangerous towards children. The mere presence of sexuality is not enough to make a movement left wing. This kind of thing can again be seen in right-wing libertarian movements in the US. (And even leftist movements can be bigoted and even "pro-pedophilia" or otherwise disinterested in social reform around abuse.)
Is all content with elements of age-play this way? No. But to me, that is why kink media deserves to be treated as art and analyzed, critiqued, treated seriously. It doesn't have to do anything to anyone to be worthy of a moral critique. Said moral critique just doesn't warrant harassment and cruelty and reactionary exaggerations of the person consuming said content.
Anyway, what's my point in saying all this? I don't know. I'm just begging you to tag your God damn content with specific tags instead of random and nebulous shit like "dead dove" or "dark content", and also begging you to stop harassing people who do tag their content so I don't have to guess what "dead dove" and "dark content" mean. No one will erase incest kink fics or people who feel sickened by the idea of them off this earth because we aren't god, but we could at least all be responsible about tagging, flagging, and age-gating our stuff.
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madaqueue · 2 months ago
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TEAR MY FLESH, HOLD MY HAND, FEEL MY WARMTH
the weight that lies in a pinky promise
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pairing: suguru geto x gn!reader
themes/content: curse/canon au. fluff, angst. mentions of fights/difficult childhood. (wk: 3.2k)
a/n: this was originally gonna be for flufftober but it got a lil angsty teehee so here we are :) also the mouse on my computer stopped working so i did all this formatting on my phone bc i'm that dedicated to serving you guys this fic
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Suguru was a soft child. Chubby hands, round cheeks, gentle steps.
He was sweet in all the ways a child ought to be, at least according to your parents - sweet in all the ways you weren’t.
You, on the other hand, were loud, jarring, unreserved. “A handful,” you were always described as by those who attempted to care for you. Perhaps that’s why they allowed you such a great extent of freedom, tugging against the length of a leash they tried to place around you, but they’d need stronger chains to tie you down.
And yet, you and Suguru found your similarities - you were both unencumbered by expectations. I am who I am. In spite of everyone, in spite of the ways they tried to dig their tight hands around you and force you into something you weren’t. You are who you are.
The first time you met him, all you saw were tiny feet kicking the air, unable to reach the ground from where he perched upon the park bench. He was the only one not screaming, something you appreciated, something novel. Your life had held such chaos, constant arguments, slamming doors. The peace that wrapped around his small frame seemed to exude a comfort you craved, even if it couldn’t be articulated by your six-year-old mind, you were drawn to it. To him.
“Hi,” you chirped, lifting yourself next to him.
“Hi.”
When you grinned widely at him, he returned a thin-lipped smile, as though he had been trained by wild dogs who took eagerness as a threat, who wouldn’t dare snarl unless as a warning.
(He noticed your absence of fear immediately - how could you approach him so easily? Had you not been taught to be wary?)
(You had been taught. “Avoid strangers, they’ll hurt you.” But you would never choose the harm of the monsters you knew. Better to take your chances in the wild.)
Averting your gaze, your dirtied fingernails began absentmindedly picking at the green paint coating the wood beneath your legs. Your eyes landed on his knees, scuffed and bloody.
“Did that hurt?”
Without looking at you, he shakes his head. “No, I’m just clumsy. I fell off my bike.”
“That’s okay,” you hum, “I get bruises all the time. You must be pretty tough if it didn’t hurt.”
And this time, he giggles, crooked teeth poking through. “Anyone can get hurt, it doesn’t make me tough.”
Leaves rustle overhead as you let out a thoughtful sigh, allowing the sounds of the breeze to fill the silence. It’s comfortable, you realize, no tension hanging in the air like there always seems to be at home, no threat looming around the other side of the kitchen counter.
You tug with all the strength your muscles can muster at a large strip of paint. With a final pull, your palm catches along the fraying wood, splinters digging under your flesh as you let out a choked cry.
Immediately, the boy’s small hands wrap around your wrist, pulling it to his face. Worried eyes inspect the wound. “Are you okay?” he asks without looking up.
A small whimper falls from your throat, lower lip trembling as you hold back tears. “Y-yeah,” your voice wobbles.
You’re lying. He knows you’re lying - you aren’t particularly hard to read, he grows to learn, somehow always wearing your heart on your sleeve. It’s a trait he admires (perhaps because he’s never quite able to place his there so visibly).
When he frowns, you almost giggle at the sight - no child should frown like that. It’s endearing, the way his eyebrows furrow, mouth tugged downward.
“Can I make it better?”
It takes very little to make you trust him, but you believe he wouldn’t hurt you. Just as animals seem able to sense intent, an implicit knowledge that the human freeing them from a cage won’t inflict additional pain, you know that his stubby fingers won’t dig at your flesh and make you bleed.
So, you nod.
Determined eyes turn from your visibly pained face to your aching palm. Slowly, he removes the shards of wood from your skin. When you wince, he pauses immediately, waiting for your shoulders to relax before he continues. By the time he’s finished, your bottom lip is red from biting into it but the pain isn’t even noticeable, not when every nerve in your body seems focused on the warmth coming from his fingertips still lingering on your wrist.
“There,” he breathes through the softest smile, “all done.”
“Thanks,” and you can’t help but grin back.
“And see!” He’s beaming now. “You were very tough!”
Your laugh is brighter than the sun, more calming than the birds chirping overhead, a sound he can’t help but mirror. His desire to cheer you up, to comfort you through it all, makes your cheeks warm.
“I’m Suguru, by the way.”
He opens up easily to you, an honor you don’t quite understand yet. When you introduce yourself, he repeats your name back slowly, the vowels sweet like the flowers blooming nearby. It sounds good in his voice.
A whistle cuts through the humidity, immediately drawing Suguru’s attention.
“I gotta go,” his face draws into that adorable pout again.
“Oh.” Dropping your attention, it falls to your freshly healed hands resting in your lap. “Can you do me a favor?”
Expectant eyes meet yours.
“Promise me I’ll see you again?”
This time, he smiles so wide his cheeks push up into his eyes, crinkling at the corners. Holding out a hand, he gently grasps yours as he intertwines your fingers.
“Pinky promise,” he grins, linking them together with a shake.
Through a giggle, you mimic, “pinky promise.”
He shuffles off the bench, clumsy feet landing on the ground before he hobbles off to the waiting arms of a parent who seems to love him. Your heart aches for a moment before it stills - you’re happy he has someone to take care of him, to pull the splinters from his hands and clean off the scrapes on his knees.
It’s a miracle when you both get placed at Jujutsu Tech. It takes very little for you to abandon the place you called home, having jumped at the first chance to leave your childhood behind, but having Suguru there makes it even easier when you get approached by a strange man with dark hair and glasses who touts himself as the principal of some elusive school a few hours away. They’ll pay for your housing, your food, anything you need to survive for the next four years so long as you agree to train and work for them. It was an easy yes - you would have done more for less.
And of course, there was your so-called “power.” The two of you had danced around the subject for years, hesitantly testing each other’s experiences to not unload worry onto the other. That was the thing about Suguru - he was always looking out for you, and you, him. He never needed to ask if you were thirsty, he’d just bring you tea; you never had to ask if he was lonely, you’d just find him sitting alone on the same park bench.
It was Suguru who finally broke on his thirteenth birthday while the two of you made your way through town, snowflakes hanging in the air.
“Do you ever…see things?” he asked, shoving his hands deeper into the pockets of his jacket in a futile search for warmth.
From the corner of your vision, you caught the faintest glimmer of fear in his eyes. And you understood immediately.
“Yes.”
His shoulders visibly relaxed, hot breath puffing into the air. “Thank god,” he murmured.
Again, it wasn’t a surprise, per se - the two of you had shared everything. It only seemed natural that you would share this ability to see curses, the monsters hiding in the shadows.
“Do they ever…scare you?” Your voice felt small as you asked - you hadn’t yet reached relief, or at the very least, neutrality towards these things.
And he sees it in you, too - the dread he felt when he first saw them, the pang of terror that shoots up his spine when he catches one moving in the dark. He’s grown more accustomed to their presence, but there’s still that thread of fear lingering, choking him when he gets tangled in it.
“Yes.”
Cold fingers lace through yours, squeezing your hand reassuringly.
“But I’ll always keep you safe,” he smiles that sweet, soft smile, “pinky promise.”
The training wasn’t easy. You hadn’t expected it to be, obviously, but fuck was it hard.
Suguru excelled initially, as he did with everything. The others in your small class also show great potential, Satoru in particular, but Shoko’s abilities develop in her own way, too.
It’s nice to finally feel like you have a place where you belong, to have people to return to, people who care about you, who love you. It’s nice to be here, even if it pushes you to your limits everyday, because you know you’ll always have someone to come home to - to know you’ll always have Suguru to come home to.
It hits you on a sunny day in October when you’re watching him spar with Satoru. Fists fly, a mix of black and white flashing across the grass. When Gojo lands a particularly well-timed punch, Suguru’s body lands with a thud in the dirt.
You’re on your feet in less than a second, shoving Satoru out of the way as you stand over the dazed boy on the ground. He looks beautiful like this, you think - his hair splayed out around him, blood trickling from his nose, lips tugged into an awestruck smirk - before you shake the thought aside.
“Are you okay?”
Panicked hands run over his torso, checking for injuries before they land on his face. Cupping his jaw, he can’t help but breathe a laugh at the worry painted across your features. His palms come to rest along your wrists, dark eyes meeting yours.
“I’m okay,” he sighs. Now that you’re here. “I’m tough, remember?”
Every muscle in your body releases tension just at hearing his voice, his calming aura once again blanketing you, bringing you under the warmth of his peace.
With a playful punch to his shoulder, he feigns a dramatic wince. “Just don’t get hurt again, okay?”
He knows it’s impossible - it’s the nature of the job, of the responsibilities he holds. He will be hit and bruised and battered and brought to the brink of death again and again, but right now, that’s not what you need to hear. Because you know it’s impossible too; and you also know Suguru is strong.
“I pinky promise,” he halfheartedly grins. He promises to at least try. For you.
Wrapping your finger around his, you let the heat of your bodies fill the air, vibrating in tune with the cicadas lining the trees. His hand is soft in yours. It feels like coming home - the familiar walk up the steps, the paint on the front door cracking from where palms had rubbed against it time and time again as the handle turned. The wooden floors are worn in with the path you take through each other’s lives, from the kitchen to the living room to the windows, gazing over the backyard.
Suguru had a swingset, you remember. You figured out how to use it the first time you ever sat on the sun-worn rubber, going higher and higher and higher until the toes of your shoes scraped the sky. But Suguru always struggled - he couldn’t quite move his body in the right way to grant him flight. He would get frustrated with it rather easily, until your small hands rested against his back. With a firm push, you set him free into the air, his feet kicking perfectly with all the momentum a child’s body could hold.
Maybe gravity was discovered by children on the playground. There had to be a reason they couldn’t swing forever; there had to be a reason they couldn’t reach the sun.
The problem is, though, that a star’s heat dissipates with distance. It can’t always warm you, not when your feet land back on the ground.
Over the next year, Satoru began going on more missions alone, and Shoko stayed behind to hone her healing, leaving you and Suguru in the purgatory between power and nothingness. And most days, you feel closer to nothing.
It’s eating at him, you realize. The missions, the responsibility, the whole fucking thing is taking bites out of his soul with sharpened teeth and leaving nothing behind but a bloodied mess of torn expectations. It makes him smaller and smaller, pulling pieces of him until there’s nothing left.
You can see it in the way his clothes hang loose on his body. His shoulders slump forward, the shadows beneath his eyes growing darker each night he spends with his gaze locked on the ceiling.
The foundation of his soul is crumbling, the front door barricaded closed. The windows are boarded up. You can’t see your childhood anymore. All the grass in the front yard is dead.
You miss when the sun’s rays shone through him.
You miss when he was warm.
Finding him resting on one of the old benches in the school’s courtyard, it creaks beneath your weight as you sit, the only sound breaking the stagnant silence of the summer air. That’s another thing you’ve noticed - sometimes, Suguru is so quiet you aren’t even sure he exists. If you weren’t here watching his chest rise and fall, could you even prove he was breathing?
He says nothing when you rest your head on his shoulder, not that he needs to, of course. He hasn’t said much lately, mostly responding to everyone else’s overflowing conversations with empty smiles and sad eyes.
You aren’t sure how much longer you can take it.
“Suguru?”
His body doesn’t even shift in response to hearing his name, but you feel his eyes on you even though you can’t see them, your gaze instead focused on your hands resting in his lap. Picking at the skin along your nails, you continue.
“Are you okay?”
He’s grateful you can’t hear the way his heartbeat stutters (because then you’d already have the answer to your question).
“Mhm,” he hums, his lips never parting. You miss the way they used to curl into that childlike grin, it’s been so long since you’ve seen it.
You know he’s lying, but unfortunately, you want to believe him. You want to believe him so badly it feels like you’re trapped underground, buried under your love for him, banging on the floorboards overhead, but there’s no one around to hear. There’s dirt in your lungs and you can’t breathe. It hurts, it hurts, it hurts.
Silently, you hold your hand in front of him, pinky raised in a question.
Would you promise?
On instinct, his own hand lifts from his side. It hovers just inches from yours, but he hesitates. The gap between them grows farther with each second they don’t intertwine, stars pushing one another apart, unable to collide. The steadiness in him wavers for a moment as you watch his fingers shake.
He can’t.
When he collapses into you, everything falls apart. Arms wrap around your frame, hands grabbing fistfuls of your uniform. He clings to you like a lifeline, the only thing keeping him from drowning. Because as a child, no one ever taught him how to swim - maybe they didn’t see the point in learning such a useless skill, or maybe they thought they were protecting him. But now, he’s been thrown into relentless waves of grief and with each breath more briney water fills his chest and he’s gasping and scared and he doesn’t know what to do except hold you. The tears falling from his eyes taste like the sea and they burn his throat, but at least for a moment his legs can stop kicking. For a moment, he has someone who can keep him afloat.
Your palms rub slow circles into his back as he cries. The sound is sharp and painful, carving into the still-beating flesh of your heart, but at least it exists. At least he’s here. At least he’s alive.
Placing your lips to the top of his head, you let them rest there as his body shakes.
“It’ll be okay, I’ve got you,” you whisper into his skin, surrounded by small strands of hair pulled loose and warm from the sun. “I promise.”
As things tend to do, they eventually get easier.
You and Suguru talk to the higher ups about changing his schedule, only going on missions with at least one other sorcerer so he’s not doing all the work by himself. They bargain and ultimately even agree to grant him dedicated days off to rest. And finally, you feel as though you’ve been granted your miracle, the scales of fate begrudgingly tipping in your favor.
(If all your pain meant that Suguru’s would be lessened for even a moment you would do it over again a million times. If all your suffering meant that Suguru wouldn’t have to endure it for a second longer, you would suffer for eternity.)
Even as fall returns and the sun shines through the sky less and less, things feel brighter. The two of you find yourselves in the school’s cafeteria making tea every night, and he learns he sleeps better with you in his arms.
When the four of you gather around a picnic table outside to recap your recent assignments, you tell some stupid joke, one that makes Satoru groan and Shoko roll her eyes through a smirk, and you hear it: Suguru laughs. And for a moment, the world stops spinning.
You all exchange glances before turning to face him, his cheeks pushed up and pink, eyes closed in bliss. You can’t contain yourselves as you join him, fits of giggles lilting through the crisp air.
That night, he welcomes you into bed with open arms waiting beneath the covers. His lips are curved into a grin as he places a gentle kiss to your forehead, a newer part of your routine, one that makes your entire body vibrate.
Snuggling against him, the warmth of his chest radiates into your skin, each beat of his heart a welcome melody.
“Hey Suguru?” you murmur.
His voice is laced with sleep as he answers into the darkness, “Yeah?”
“You’re really strong, y’know that?”
Letting out an airy chuckle, he rolls his eyes. “I’m nothing compared to Satoru-”
“You know that’s not what I mean.”
You can hear the air entering his lungs with each breath. He takes in three before he responds. “I know.”
Long fingers trace circles into the bare skin of your arm.
“Suguru?”
You know what you have to tell him - you’ve been holding it for years, keeping it close to you, carrying its weight through each day until you barely notice it anymore. Maybe it’s the change of the seasons, a different density to the air, but suddenly it has begun to feel heavy in your hands.
“Yeah?”
His hands make their way up your neck until they rest along your cheek, guiding your gaze to him through the dark.
Three breaths in, three breaths out.
“I love you.”
You can’t see him smile, but you feel it. The warmth of his palm leaves your face for a moment until you feel it again along your hand. He intertwines his pinky with yours. “I love you, too.”
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alchemistc · 6 months ago
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i like your voice in person
Evan's staring at the bed like he's trying to navigate a minefield.
Six months ago that would have sent Tommy on another journey of self-deprecation, a reminder that he'd known Evan wasn't ready for this, known this was a possibility, but Evan, for all his own insecurities, knows what the hell he wants and if he'd felt even an ounce of pressure or remorse up to this point he'd have said something long before now.
Sometimes Evan likes to work it out himself, and sometimes he needs a little nudge, and Tommy watches the head tilt and the angle of his pursed lips for cues as he settles under the sheets.
"Something on your mind?" he prompts, and Evan blinks, like he hadn't realized he'd gotten lost in his thoughts.
"Uh...nothing, maybe."
"Sounds like something, probably."
Evan's smile tilts up at one corner, and he settles on the bed a little stiffly. "It's nothing major. Just. Something I've been thinking about?"
He can feel his brows jumping, can see the way Evan takes in the look with a fond expression. Evan steels himself for something -- they're still muddling through past experiences and learning how to be a bit more intentional in some of their conversations, because they both have a bad habit of reverting to flirting and deflection.
"You remember what we talked about last weekend?"
Tommy can genuinely remember about 93 percent of what he and Evan talk about at any given time, which is an astronomically high number and not at all an exaggeration. He'd be embarrassed about it if he didn't have clear evidence that Evan was as deep into this as he was.
They talk a lot, is the thing, about inconsequential shit just as much (definitely more) than the important stuff. They talk far more than Tommy can remember talking in any other relationship he's been in. But Tommy can pinpoint the exact one he means.
"You mean the roles thing."
Evan hadn't been a stranger to a little daddy talk in bed when they started to explore it, and he'd brought it up right at the start for a reason, but Tommy had taken a while to come around to the realization that Evan had sort of internalized the 'I don't have daddy issues' of it all in a way that Tommy hadn't actually meant it. There'd been little things, here and there; like Evan reaching a door before him and then bashfully waiting with it half open like he'd made a misstep; like twisting his mouth a little funny when he snatched the bill from the table before Tommy could get it. Little things.
Things that, in the abstract, yeah, Tommy liked to do for his partners, but in reality weren't actually that big a deal to him.
He'd needed to clear the air.
Evan nods. Curls a hand around his knee before he shifts his body so that he's facing Tommy. "So, I like taking care of people."
(A conversation, a month ago, Evan grimacing around "My therapist says I have to stop calling myself a people pleaser in a derogatory way.")
Tommy hums, something to remind Evan he's listening.
"And I guess I sort of built up this idea in my head that that was like, a hard stop with you."
("Everyone likes being taken care of sometimes, Evan.")
"And I'm not -- I'm not upset at you, or like, feeling guilty, I just -- I've been thinking about it, and I feel like I forgot to ask you how you wanted to be taken care of."
The thing with Evan is that no matter how often he'll deflect with a joke, when he wants to say something serious he's blunt as hell about it. There might be some hemming and hawing to get there but sometimes he says things that just make Tommy wonder if he'd ever actually learned how to say things before Evan.
"I don't really have a list, babe," he says, and then sort of hates himself for it. Deflect, distract, hey baby how about I blow you about all these big feelings inside my chest I can't articulate.
Evan, though, Evan squinches his eyes and runs a heavy hand through his hair. "I...sort of do?"
"Lay it on me."
Evan grins. "That's actually one of the things on my list."
Tommy blinks. Tries to figure out that trail of thought, but he's coming up with nothing. "Okay, can you expand on that?"
"Like --listen, you know I'm a huge fan of being the little spoon. I'd let someone put screws back in my leg just for continued little spoon privileges. But sometimes I miss being the big spoon, and in my head the idea sounded so stupid to bring up but now I'm wondering if, like, maybe I've just been denying you the joy of being the little spoon?"
Tommy thinks of Evan's hands spread big and warm across his belly, of knees tucked up behind his, warm breath on the back of his neck like when Evan stumbles up behind him in the mornings whining about coffee, and maybe he blue screens a bit because he's never actually dated someone so close to his own size, because there's always been an assumption at the outset that he wouldn't want that.
Alex had been a little too into the same dynamic he'd seen Evan stumbling through, and Colin had hated sleeping with someone's flesh touching his own. Beyond that he hadn't really dated anyone long enough to really form a preference.
Maybe Kara might have been willing, back when he'd been closeted enough to pretend it wasn't an effort to get it up when she had his dick in her mouth, but they'd been young enough that staying the night wasn't really a consideration.
"And like -- listen, I don't necessarily prescribe to gender roles as a thing in general, but a few weekends ago I spent like twenty minutes staring at a bouquet of flowers in Trader Joe's and convinced myself you wouldn't like the gesture so I didn't buy them but you have a few vases in your moms old china cabinet and the moment I remembered them I felt stupid for not buying the flowers."
There's something curling tenderly underneath Tommy's ribcage that he's not sure he's ever felt quite like this before. It's not new, exactly, but it seems to be thrumming particularly hard tonight.
Three months in, Tommy had gotten the man-flu from hell, temperatures so high he'd been grounded and sent packing to rest it off, and he'd texted Evan a jumbled mess of barely discernible things when they'd tucked him into the Uber.
Evan and Bobby had made chicken noodle soup at the station and Hen had sent Evan off with a laundry list of things he could do to help drop the fever, and Tommy had spent the duration sulking and glowering and dragging himself out of bed every time Evan had wanted to change the sheets, to keep Tommy as comfortable as he could, but when Evan had caught it four days later he hadn't hesitated to do all the same shit with gusto. Evan hadn't been particularly grateful either, because neither one of them liked being laid up when the world was out there waiting for them, but he'd at least had the grace to not be an asshole about it.
He had, though. Been grateful. A little awestruck, too, at the mere idea of someone so unafraid of just being there through all the moaning and groaning and hacking and coughing, keeping the tissues from piling up on the bedside table and switching out cold packs to the freezer so he always had one ready in case he wanted it. In the clarity of a full day without fever making his brain feel like cotton candy he'd stared down at a sleepily wheezing Evan and known he could absolutely lose his heart to this man.
"Also I don't want to toot my own horn here but I give excellent foot rubs, and I feel like there's about a million other things I've just been -- holding back from doing?"
"Because of the role thing, or because all your stupid exes told you you were needy?"
It's not a night to pull punches. Also Tommy wants to send thank you cards to every single one of them and attach them to boxes with a bark scorpion inside.
"Both," Evan says without a second of hesitation. His smile crinkles at the corners of his mouth, and Tommy is suddenly annoyed with the space between them. When he holds out his hand to tug Evan into him, Evan melts into it for the space of a moment before he pulls back. "I actually kind of desperately want to be the big spoon right now, if that's something you'd be into." Evan had definitely clocked the look on his face when he'd mentioned it, but he's keyed into the way Tommy checks in and reciprocated in kind since the start of this, so.
Tommy peels his glasses off, snags his bookmark to keep his spot in the monstrosity of the Wrangler maintenance manual he'd stopped being cagey about the fifth time Evan caught him flipping through it, and watches Evan settle comfortably into bed next to him. The problem is, Tommy actually isn't sure where to go from there, which is a ridiculous thought to have because Evan hadn't either and he'd figured it out just fine.
"How do you want me, Buckley?"
The roll of his eyes is so bitchy that Tommy has to remind himself that for all his people pleasing attributes, Evan Buckley is, at heart, a huge fucking brat. Evan tugs and twists and maneuvers his arms and Tommy sort of sinks into it, head tucked in the crook of his shoulder, draping his leg over one of Evan's when he shifts his knee pointedly, a massive, unruly breath escaping Tommy once they're all done shifting.
"You should absolutely try out the rest of your list," he murmurs into the space where Evan's shoulder meets his neck. "Although you don't need to woo me anymore, I'm actually fully wooed."
Lips against his crown, pressed tightly enough that he can feel the smile against his scalp, Evan chuckles. "You don't know how good my wooing is."
The fingers shifting up and down his arm feel somehow different, from this position, even though Evan has done it a hundred times before from the spot he likes to claim with his head right over Tommy's bleeding, three-sizes-too-big-for-him heart. It's ridiculous, and it shouldn't feel any different, but it does. He wants to be greedy with it, soak it in and then never let Evan do this again because he finally understands the appeal and he doesn't want to deprive Evan that.
"This is nicer than I expected."
Evan's soft laugh ruffles his hair, and Tommy wonders if he's dumb enough to ask Eddie how long he should wait before he can reasonably beg Evan to spend the rest of his life with him.
"Save the reviews for when I actually spoon you. It's gonna rock your world." His hand drifts up, fingers digging into the dimple of Tommy's skull.
The hum in his throat has a mind of it's own, going thin and reedy and --
Evan pauses, and Tommy can practically see the gears whirring in his mind, because this is new information.
To both of them, actually, but Tommy doesn't have time to process it because the fingers on the back of his skull spread and sink deeper, just enough pressure to be more than a glancing ruffle, and Tommy can't quite help the way he tilts his head back into it, or the way he hitches his leg to press his groin a little more firmly to the outside of Evan's thigh.
They're both too tired for it to really mean anything -- both off 48's and a fumbled round in the shower while they were already bone weary -- but Tommy wants the reminder for them both when they wake up in the morning.
He can feel his eyes drooping the longer Evan scrubs his fingers against him, and the thought pops into his head as he's drifting off. He doesn't want it to disappear into the fog, though, so he murmurs it into the soft, warm skin of Evan's neck. "I like camellia's. White ones."
Evan hums, and Tommy just knows that the moment he drops off, Evan will be reaching for his phone to google the language of flowers.
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frillsand · 1 year ago
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Hi Frillsand I wanted to start off by saying I adore this au and love all the art you've posted for it..
Secondly and Sorry if this has been asked before but I was curious about how Wally in you au feels about his masculinity? I've seen a lot of people mention how the ai for him is insecure about it at times. The idea is very compelling I think too since I've seen many instances where men who are both shorter than average and enjoy things that our culture deems as feminine are seen as somehow less masculine.
In regards to Wally you've said he adores the attention he gets for being cute but has he ever been really frustrated at not being taken seriously because of it? Both as a man in general or possibly even a romantic partner?
Though as I think on it his diva personality could be interpreted as a response to not being taken seriously in general. People like Max have the option to lean in to the cultural expectations of masculinity and be taken seriously whereas someone like Wally needed to adopt the diva personality for it.
Sorry for rambling a bit I just thought it was an interesting aspect to the character and wanted to learn more! Hope your having a lovely day regardless!
Wonderful question , I’m so so so glad you asked. In regard to his masculinity, Wally is privately very insecure about his appearance not being “traditional”
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I know I make a lot of jokes saying how fruity he is and honestly Wally has no problem with how he looked. But something about seeing the differences with him and other men, makes him self conscious.
He doesn’t have broad shoulders, he isn’t tall, he isn’t considered to be attractive in ways men want to be.
He’s always just CUTE.
What more can he do but go along with it, he’s cute, it’s a fact. And there’s times where the thought pisses him off.
Of course it doesn’t help that he loves doing things that can be considered feminine. His job being one of them, like his role in the show as a nurturing figure and his love for teaching kids. (Being flamboyant doesn’t help). He doesn’t care for gender norms and that helps a lot but not completely
Looking the way he does, comes with perks. He’s more likely to get things he wants and no one ever suspects someone like him can do wrong. Truly, he likes the way he looks, it’s just that he can’t help but think about what it would have been like to be different
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He’s learning to accept it
I so wish I can ramble more , I want everyone to understand what’s going on in my head so badly but i can’t articulate my thoughts and I won’t be making sense
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tealvenetianmask · 5 months ago
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How Blitz and Stolas figure out how they feel: external vs. internal processing
I've been in therapy a ton (feeling like I'm not alone in that in this fandom), and one of the things I've learned from it is that I like to process my thoughts and feelings externally- by talking about them. It turns out not everyone is like that. I'm like Blitz in this way.
I first got on this topic when I was thinking about how Blitz flip flops in Apology Tour. When he goes to see Stolas at the beginning of the episode, he goes in with an idea he's trying out- a narrative he's committed to FOR NOW, insisting that he's there to reinstate the full moon deal with TONS of undue and shaky confidence.
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Is this plan something he's actually confident in? Absolutely not. But he's going to commit to it damnit and see how it plays out. Does he believe it? I think he does in the moment. He's convinced himself anyway, and when Stolas wears him down and he understands that he's not doing himself any favors . . .
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He starts processing the real shit aloud.
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I don't think Blitz has ever admitted this to himself, at least not this articulately and accurately. He needs to say it aloud in order for it to be real. Oops too real.
He's SCARED because he didn't even KNOW he felt this way, but things are becoming very clear and dangerously close to the heart of the matter . . . so he pivots again back into comfortable territory (conflict).
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By the end of the conversation, he arrives at a new mission, one that's sort of an equilibrium between his realizations about his honest feelings and his need to have a mission he feels confident in. He's not all confident or all honest- he's still in flux.
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There are SO many more examples of Blitz realizing how he feels BY TALKING (later in Apology Tour when he's talking to Stolas, and then when he's talking to Verosika . . . but then also back in Oops, etc.), but I'm going to leave it at one for brevity here. What's important is that we NEVER see Blitz processing alone. Even in his part of the duet (more on songs in a sec), when he's technically singing to himself, he's consoling himself with a narrative rather than really processing the things that need to be processed.
Blitz needs a person to process with.
But Stolas is an internal processor. We know this already because he made the plan to give Blitz the Asmodean crystal and sat on it for literal months, procuring the crystal, ironing out what he would say, trying to initiate conversations with Blitz, but never explaining how he felt to anyone before it was time- and absolutely NEVER in a way that was half baked.
The way Stolas sings his feelings actually gives us a really clear and beautiful picture of how he processes and figures things out. I forget who said it, but someone on the Helluva creative team referenced a broadway truism that in a musical, characters sing what they can't speak. I think for Stolas it's often what he can't YET speak because he's still processing. He has full honest conversations with himself (Stolas Sings, Just Look My Way), and then when he's face to face with Blitz, he knows exactly what he wants to say. His feelings and beliefs actually progress from song to song- he expresses his awareness of a problem in Stolas Sings and gets more precise about how he feels and what he needs to do about it in Just Look My Way.
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By The Full Moon, for better or worse (kind of both), Stolas knows exactly what he wants to say to Blitz and how he wants to say it.
Even when he's upset, angry, and then drunk, when Stolas speaks about his feelings, he's consistent. He's decided. He loves Blitz. He wants a real relationship. From his point of view, he doesn't care about social class, so he can't understand why Blitz is so stuck on it.
But he's missing something key (it's the social class thing- it's definitely the social class thing), and internally, he's cooking, and we see that (again) when he sings.
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This is the rawest and most in flux stage of his thought process that we've seen. Because this is how he figures out what he thinks and feels- with himself, in song.
Okay- so interesting psychoanalysis- why does this matter to the story?
Well, I think that Stolas doesn't understand that when Blitz speaks in these super emotional, fraught conversations, he doesn't go in knowing what he thinks and feels. He's figuring it out on the fly. He's figuring it out BY talking, and needs to be allowed to do that. Should he do this with a therapist instead of with the person most likely to be hurt by the ideas he flies through on his way to his true feelings? For sure, but this is Blitz.
In turn, Blitz doesn't understand that when Stolas acts absolutely certain and doesn't seem to take in the things Blitz is saying, he's not talking to a brick wall. He's talking to a moveable person who, once he's alone (or singing) is going over and over everything and breaking his thoughts down and reformulating until he arrives at something new.
So . . . it might be a little much to ask these two to understand each other's different processing styles- but they're coming along in their own ways. And I'm looking forward to them understanding each other. Someday. Maybe. Fucking sit down and talk. Slowly. AGH.
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ja3yun · 4 months ago
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i am on a jay bender and have been obsessed more and more as the days go by. what do u think would he be like as a bf? 🥹
jay has been bias wrecking me like crazy and this will not be good for my health but lets go: again there is smut so mdni!!
jake vers. | sunghoon vers. | heeseung vers.
first and foremost, he is putting his soul effort into you from the moment of your first date. when he is looking for a girlfriend, its a long term deal, not a fling or a quick summer romance. jay dates to marry. it can come across a bit 'whoa' but listen, he wouldn't be overbearing about it! he just wants to know that when he finds a partner that the effort he puts in will be worth jt.
dates when you're in the talking stages/getting to know will be very thought out, each detail will be meticulously planned based on your interests. he would love taking you to museums, dinner, camping, i think any date in which he could sit down and speak to you would be ideal for him. jay values connection over everything else so getting to know you during these dates and momentsnare crucial.
once you are in a relationship he is all you could ever ask for!! he is supportive, loving, affectionate, headstrong, and everything in between. i can see him really working hard to maintain a positive and steady paced relationship. he won't rush into things, knowing that the relationship has infinite time to blossom and develop - it's like a good meal, you don't scoff it down but savour it.
although steady, he is affectionate and always with you any chance he gets. jay is sooo romantic, more romantic than any of the others. his heart is so big that he has infinite love to give you, he will work you around his schedule, no matter how tired, he will always make time out of his busy day to see you. if he is on tour or really can't see you for whatever reason, he is facetiming you or calling you.
more under cut
when he comes to visit you, this might be controversial bc a lot of people don't see him as a yapper but i think he tells you everything about his day, particularly how he felt about everything (tired, excited, whatever). i think he would feel so comfortable with you and trust you so much that he confides in you about everything. i do think he would hold some things back, just as a way not to worry you - like his knee, i think he would play it off as no big deal even if it hurt really bad that day; worrying you isn't on his list.
jay is so used to looking after others and independent that he is either going to go two ways: babying you or asking to be babied. if its the first one, i think it comes second nature to him, he would look after you and make a fuss, doing acts of service like tying your laces when they come undone, making sure you don't go overboard when drinking (i need him for that), and generally care about your well being. OR he is going to come to you to be looked after. he would want a partner sensitive to his feelings, someone who can have open conversations about them and validate him. something about him tells me that he likes to be pampered by his partner; sharing baths where you cuddle and wash him, massages, make him dinner when he has had a long schedule, i do think he would love a face mask night in w you. its all about give and take with him, but he definitely loves to give a lot more.
as i've mentioned, he is headstrong and has core values. if you don't allign, he will literally try and persuade you to see his side of things. he loves to argue and debate, not in a mean or offputting way but rather in a 'i have this opinion, tell me yours and we'll discuss it' kind of way. loves to learn and expand his mind regarding knowledge so if you are knowledgeable about the world or certain things, he would love to listen and learn, possibly going as far as researching the topic on his own time. again though, you aren't changing his mind on his values but he will understand your point if you share them in an articulate manner. if you respect his opinin, he will respect yours!
it is obvious but he is cooking for you!!! he will prepare your favourite meals and also let you venture something knew. he doesn't always like to do it on his own though and will set up fun little 'cooking classes' to teach you. he can be a bit bossy but it looks hot on him so you never mind it. you will buy him silly kitchen gags like 'kiss the chef' apron etc. which he hates but he wears because it makes you laugh.
will also play guitar on quiet nights in, just as backing music, not to impress you or gain attention. he would just strum the guitar while you read or whatever you like to do. it will be the backingtrack to your conversation and i think he would cherish the calm and easiness in the air.
you must get along with his family. no question about it, he is so close to them that if they didn't like you, it would really impact your relationship. i think he would try and persuade his parents and try his absolute hardest to help you all get along; he might plan meals or day trips with you all to bond you. same goes for your family, whatever parental/guardian/sibling you have, he wants to impress them and get along with them. he is a family man through and through.
speaking of which, would talk marriage and kids with you quite early on, just to establish if this is something you are wanting. i think for sure marriage has to be on the table but kids are a tricky one, i feel like he understands that it is you who would be carrying the child/or/adoption would always be a choice. it can't just be his decision, he loves you so much that he would settle for being an uncle rather than a dad if you truly didn't want children (please be real core <3)
kisses: i think he loves to kiss you but not randomly, like he won't grab your wrist and spin you around to lay a smooch, he is the type to nuzzle your nose and tell you how beautiful you look. his kisses are soft and gentle, his tongue tender against yours as he devours you completely. hands ALL OVER your body when he kisses, loves to feel you on his finger tips. secretly, along with quality time and gift giving, i think physical touch is a love language for him.
bowchikawowow: rough and sensual. jay is going to do everything you like because as your relationship grows, he is going to make sure that he knows every little pleasure point on your body. LOVES to hear you moan and encourages it. 'let me hear you, baby' and 'do you like that?' are constant sentences in the bedroom. doesn't do quickies, likes to go for as long as possible. he is terrible for edging you, pushing you to the edge of tears while he withdraws his touch, his smirk would be plastered on his face. he would tell you how good you are for him, 'just a little more, my baby can handle that, right?' and ofc you would say yes!! kisses all over your body, lips all over your chest and tummy, loves to just feel you (again, physical touch).
aftercare is so important to him but i think because he already likes to look after you, it would be so normal. makes you tea, kisses and cuddles, words of affection and admiration; whatever you need, he will do it!
again, these are my opinion and if you disagree you are more than welcome to let me know what you think!! i love hearing opinons 🙏🏻
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